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Gear I Use

Steadicam

Steadicam

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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GPI Pro Systems Steadicam

Cine Live

CineLive Upper & Lower Junction Boxes, Battery Rack Gen III w/3 jumper blocks, Titan Arm w/4 Blue Spring Canisters, Centerpost II Complete, Pro Gimbal, Hill Docking Bracket, 6", 8" & 10" posts, Betz Top Stage, HotSwap Battery Doubler (Allowing up to 4 batteries on board) SmallHD  702, 7" Monitor, Steadicam American Stand with wheels.

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Betz

Wave 1

The Wave1 by Betz is an electronic horizon leveling system. Just "clicks in" between the Topstage/Mount and the Camera; Integrated QuickLok™ for standard Steadicam® Dovetailplates; Keeps the horizon precisely level electronically; Stabilises up to +- 25° in any Pan and Tilt movement; No external devices needed for set up just power up and shoot

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Betz

Wave Rider

WaveRider is designed for a quick and easy adjustment of cameras center of gravity on the Wave1, Steadicam and Gimbals...

  • Dovetail plate size for Quicklok™, Steadicam®, PRO, RIG, MK-V

  • Wide range of height adjustment via exchangeable rods.

  • Side by side adjustment.

  • For use on gimbals like Freefly Movi, DJI, Maxima or Newton.

  • Sturdy and vibration-free

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Betz

Top Stage for Steadicam

Quick, safe and easy mounting of the camera via the " QuickLok™ " fastener for the universal dovetailplate with safety lokpin.
The universal dovetailplate fits on any camera.

  • QuickLok™ Camera mounting platform for RIG, GPI PRO System, MK-V/Alien, Steadicam® IIIA / EFP models

  • Absolute vibration-free

  • Fine adjustment for the camera, knobs on both sides. Fore/aft and side to side. The adjustment is self-retaining means no clamping is required.

  • Universal dovetail plate; Integrated bubble level

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G-Zoom

G-Zoom Custom Edition

This custom ergonomic unit allows the Steadicam operator to control the zoom while holding on to the Gimbal handle. It is custom fit to my GPI Pro Cine Live. It includes connectors  compatible with Canon (20 pin) and Fujinon lenses. It also has the ability to control focus of newer Canon and or Fujinon lenses with focus servos built in.

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G-Zoom

G-Focus Package

The package includes:

G-Zoom Custom Edition (Zoom Controller)
G-Focus (Motor Driver)
Power Cable (Rig Specific)
Motor Cable (Stanton Motor)
Focus adapter (For G-Focus and BFD)

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G-Zoom

G-Zoom MDR Z-F

The G-Zoom MDR Z-F allows control of zoom and focus on cinema style lenses as well as lenses that do not have internal servos! This MDR interfaces exclusively with Tilta Nucleus-M Motors. It powers directly from my sled.

Cameras

Cameras

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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Sony

FX-6 Cinema Camera

4K Full-Frame 10.2MP CMOS Exmor R Sensor, DCI 4K60p | UHD 4K120 | 1080p240, 15+ Stops of Dynamic Range in S-Log 3 EI, 1.3x and 2.0x Anamorphic De-Squeeze, Compact Form for low-key documentary shooting, Phase Detection AF/Face Tracking/Eye AF, Base 800-12,800 ISO, S-Cinetone, S-Log3, HLG Modes, 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output, Dual CFexpress Type A/SDXC Card Slots

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Sony

4K Mirrorless Cameras

I own 1x Sony a7S III, 1x Sony a7RIV and 1x Sony a6400 that shoot in UHD 4K 24 (23.976), 30 and 60p Video with S-Cinetone, HLG, S-Log3 Gammas;, have no record-time limit and make beautiful images. My packages come with 80 and 160GB CF Express cards, in-camera batteries and rigs with Gold Mounts for all day shooting.  

Lenses

Lenses

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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Sony

FE 28mm f/2

E-Mount Lens/Full-Frame Format; Aperture Range: f/2 to f/22; One AA Element & Two Aspherical Elements; Two Extra-Low Dispersion Elements; Linear Autofocus Motor; Internal Focus; Dust and Moisture-Resistant Construction; Nine-Blade Circular Diaphragm

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Sony

FE 135mm f/1.8 GM Lens

E-Mount Lens/Full-Frame Format; Aperture Range: f/1.8 to f/22; Minimum Focus Distance    2.3' / 70 cm. Maximum Magnification 0.25x. Optical Design:13 Elements in 10 Groups. Diaphragm Blades 11, Rounded. Autofocus, NO Image Stabilization

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Sony

FE 70-200mm f/2.8 GM OSS Lens

E-Mount Lens/Full-Frame Format; Aperture Range: f/2.8 to f/22; Focal Length 70 to 200mm. Sony E Lens Mount. Angle of View 34° to 12° 30'. Minimum Focus Distance    3.15' / 96 cm. Maximum Magnification    0.25x. Optical Design    23 Elements in 18 Groups. Diaphragm Blades 11, Rounded. Autofocus; Image Stabilization; Filter Size    77 mm (Front)

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Sony

FE 16-35mm f/2.8 GM Lens

E-Mount Lens/Full-Frame Format; Aperture Range: f/2.8 to f/22; Focal Length 70 to 200mm. Sony E Lens Mount. Angle of View 34° to 12° 30'. Minimum Focus Distance    3.15' / 96 cm. Maximum Magnification    0.25x. Optical Design    23 Elements in 18 Groups. Diaphragm Blades 11, Rounded. Autofocus; Image Stabilization; Filter Size    77 mm (Front)

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Sigma

35mm f/1.2 DG DN Art Lens for Sony E

Created for full-frame Sony E-mount mirrorless cameras, this Sigma 35mm f/1.2 DG DN Art Lens features Sigma's first prime lens design with a f/1.2 maximum aperture. Delivering excellent image quality while optimizing size, as well as weight, the lens' fast f/1.2 aperture helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions.

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Sony

FE 90mm f/2.8 Macro G OSS Lens

As a G series lens, it perfectly balances sharpness and bokeh and, as a macro lens, close and controlled focusing performance is prioritized with advanced AF and intuitive handling. True macro design affords a life-size, 1:1 magnification ratio along with an 11" minimum focusing distance for working with close-up subjects. This lens' focusing ring can be slid forwards and backwards to quickly shift between manual to autofocus modes. Internal focusing design maintains the overall lens length during use, benefitting focus accuracy and ease of use when working distance is a concern.

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Sigma

24-70mm f/2.8 DG DN Art Lens for Sony E

As part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications. It features a constant f/2.8 maximum aperture that is well-suited for working in available light conditions and provides greater control over depth of field when using shallow depth of field techniques.

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Sony

FE 24-105mm f/4 G OSS Lens

Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed to be an ideal one-lens solution for everyday shooting. The flexible focal length range pairs with a bright constant maximum aperture, impressive optics, and intuitive handling to make it a suitable option for walk-around shooting, street subjects, travel, and event photography.

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Sony

FE 35mm f/1.8 Lens

Fast and compact, the Sony FE 35mm f/1.8 mixes a versatile wide-angle focal length with a bright design and a sleek form factor. As a wide-angle, this lens excels in a variety of situations, from street shooting to landscapes to travel, and the f/1.8 maximum aperture suits working in available lighting and benefits controlling depth of field.

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ZEISS Loxia

50mm f/2 Lens for Sony E

Offering a normal field of view with an impressively compact design, the ZEISS Loxia 50mm f/2 is a flexible prime for Sony E-mount mirrorless cameras, well-suited for a range of subjects from portraits to landscapes. Utilizing a classic symmetrical Planar optical design, this lens is capable of achieving well-corrected, sharp imagery with controlled aberrations and distortions. An enhanced ZEISS T* anti-reflective coating has also been applied to significantly reduce ghosting and flaring for improved contrast and color fidelity when working in difficult lighting conditions.

Monitoring

Monitoring

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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SmallHD

702 Touch 7" On-Camera Monitor

1 x Unit. The SmallHD 702 Touch 7" On-Camera Monitor features an IPS LCD panel with a resolution of 1920 x 1200 and 1500 cd/m², which makes it more than well suited for use outdoor. The panel displays images in 8-bits per color channel, but the monitor's internal processing is 10-bit. The touchscreen capability of the monitor facilitates using the SmallHD latest OS software that allows you to create looks and save them as pages. My monitor is powered using BreakerBatt 2-Pin Lemo Battery Eliminators from Rencher Industries. The 702 Touch incorporates 3G-SDI and HDMI inputs and outputs, as well as a headphone jack for monitoring audio. It also has a store of monitoring features including waveform, false color, peaking, custom LUT support, anamorphic de-squeeze, and audio meters.

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Atomos

Ninja V 5" 4K HDMI Recording Monitor

2 x Units - The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

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Atomos

Shinobi SDI 5" 3G-SDI & 4K HDMI Pro Monitor

This 5" Shinobi monitor from Atomos includes 3G-SDI & 4K HDMI Pro monitoring. The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input. It features a 10-bit (8+2 FRC) IPS screen with a brightness of 1000 cd/m², suiting it for use in both exterior and interior conditions.

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Atomos

Shogun Inferno 7" HDR Monitor/Recorder. 

1 x Unit. The Shogun Inferno has extensive monitoring tools, including custom 3D LUTs, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vectorscope. Record ProRes RAW, ProRes, DNxHR or CDNG; compatible with Sony FS series, Canon C300MKII, Panasonic EVA-1/Varicam LT. Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability.

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Atomos

Shogun Flame 7" HDR Monitor/Recorder. 

1 x Unit. The Shogun Flame boasts 1920x1200 resolution, 325ppi pixel density, 1500 NITS;

Raw record on Canon C300MKII in 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080; 

Raw to ProRes / DNxHR record: Canon C300MKII ProRes (HQ, 422, LT) ; DNxHR (HQX, HQ, SQ, LB); 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080;

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Zacuto

Zacuto Gratical HD OLED EVF

1280x720 OLED EVF w/ Peaking, Waveform, Tally Light, Loadable LUTs. HDMI & SDI in and outs. Powered via LP-E6 battery or P-Tap.

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Teradek

Bolt 500 LT 3G-SDI Wireless TX and RX Set

Wireless SDI monitoring with zero latency up to 500'. Uncompressed signal, up to 1080P/60. Monitor and receiver powered via V- Mount battery. Transmitter powered via D-Tap.

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Paralinx

Ace 300 ft SDI Wireless Video System

Wireless SDI monitoring with zero latency up to 300'. Uncompressed signal, up to 1080P/60. Monitor and receiver powered via V-Mount battery. Transmitter powered via D-Tap.

Accessories

Accessories

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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Bright Tangerine

Viv Matte Box w/ Triple stage

BRB12511028-Stage Core Matte Box; 2 Rotating 4x5.65" Filter Stages; 1 Fixed 4x5.65" Filter Stage; Includes BRB12511028 Filter Trays; Carbon Fiber Top Flag; 150mm Clamp-On Diameter; Carbon-Fiber Construction; Lightweight and Robust Physical Design

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PolarPro

BaseCamp ND 2 to ND 9

The Industry's Lightest Matte Box System. The complete BaseCamp system is built to take your content to epic levels in the most demanding conditions. Featuring the lightest 114mm setup in the industry and a diverse lineup of filters and mounting options, BaseCamp is the go-to matte box system for hobbyists and pros alike.

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Tilta

Nucleus M Wireless Lens Control

The Tilta Nucleus-M Wireless Lens Control` System features a 1000' transmission range and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips—one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.

Support

Support

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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Sachtler Head & Miller Tripod

Video 15 SB Fluid Head (100mm) with Miller 3-Stage tripod

100mm Ball Head Supports up to 35 lbs; Lightweight Triple-Stage Miller Carbon Fiber  Tripod; Height Range of Approximately 9" to 73"; 12 Steps of Counterbalance; Speedbalance Technology;Touch & Go Plate.

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Sachtler Head & Miller Tripod

Sachtler FSB-8 Fluid Head (75mm) w/Miller 3-Stage Tripod

75mm Ball; 2 lbs to 20 lbs Capacity; The Sachtler FSB-8 is a fluid head designed to work with the handheld size from DSLRs to stripped down C300 Mark II cameras. This head offers Sachtler's Sideload mechanism which boasts an exceptionally large sliding range of 120mm (4.7"). It also features a 10-step counterbalance. Dual-Stage Miller Tripod; Rubber Feet; 

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Manfrotto Head & Miller Tripod

Nitrotech N12 Pro Fluid Video Head with Miller 2-Stage Tripod

The NITROTECH N12 fluid video head features state-of-the-art technology consisting in a Nitrogen piston mechanism that allows continuous counterbalance system that enables precise control of a camera and accessories from 4 to 12 Kg @ 55mm C.O.G. . The variable fluidity function on both pan and tilt allows smooth, judder-free movement. It also features a 3/8” Easy Link equipped with an anti-rotation function that enables an external monitor or other accessories to be fitted. The sliding plate attachment side-lock mechanism allows safe, quick and easy camera attachment. The NITROTECH head has a flat base mount with a standard 3/8” thread that is highly versatile for different support combinations (tripod, slider, jib or crane).

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Kessler

Shuttle Dolly w/Keeper/Grabber Wheels

The Shuttle Dolly utilizes standard rail and can be operated manually or in conjunction with Kessler's motion control solutions - CineDrive, Second Shooter and Second Shooter Plus. Shuttle Dolly accepts various mounting solutions including mitchell mount, 100mm bowl mount and cheese plate. Comes with 12' of track. Compatible with 1 1/4" - 1 1/2" rail. (Support every 6 feet); Base Kit Weight 34 lbs / 15.4 kg; Load Capacity 125 lbs / 56.7 kg 

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Kessler

CineSlider with Crank Handle (40.5") 

The Kessler CineSlider™ is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight. Reinforced aluminum, protected rails and precision machining combine to give filmmakers assurance that no matter what, the CineSlider will get the job done. Length: 40.5"; Travel: 30.5"; Weight: 9.1lbs; Load Capacity: 35lbs.

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Benro

Benro 100mm Hi-Hat

100mm Bowl; Load Capacity: 220 lb; Min Height: 3", Max Height: 11"; 2-Section Aluminum Legs; Magnesium Bowl; Independent Leg Spread with 3 Stops; Weight: 3.6 lb; Three 3/8"-16 Accessory Threads; 3/8"-16 Low-Profile Tie-Down Adapter; Custom Carrying Case Included

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Induro 

Induro Series 3 Baby Grand Tripod with 75mm Platform

Load Capacity: 165 lb; Max Height: 11"; Min Height: 3.2"; Folded Length: 9.3"; Leg Sections: 2; Weight: 3.1 lb; Carbon Fiber Legs; Magnesium Castings; Removable Weight Hook

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Wooden Camera

Wooden Camera Shoulder Rig v2 Mid with Short Rosette Arms & Wooden Handle and Canon Grip Relocator 

ARRI Standard Dovetail; Crossbar with ARRI Rosettes; NATO Rail for Crossbar Adjustment; Rosette Handles with Black Leather Grip; Short Rosette Arms; Arca-Swiss Rail Underneath Dovetail; Shoulder Pad Attaches to Arca-Swiss Rail; 1/4"-20 and 3/8"-16 Accessory Threads

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KN

Standard Manual Wheelchair with Foot Support

Perfect for quick dolly shots, I have a KN-700T Standard Wheelchair. The wheelchair is equipped with rubber tires and foot supports. At 39 pounds, and completely foldable, it's truly a great dolly system that can have a camera mounted directly to it, or carry the operator. Payload is 250 pounds.

Lighting

Lighting

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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Aputure

Light Storm LS300X LED Light Kit with V-Mount Battery Plate

1 x Unit - The Light Storm LS300X LED Light Kit from Aputure is the first Aputure light to go beyond traditional bi-color lighting by utilizing the expanded vari-white CCT range of 2700-6500K, providing warmer tungsten tones and cooler than daylight whites. The brilliant light can be dimmed from a potent main light to a subtle, nuanced fill light, flicker free across the dimming range.

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Aputure

Light Storm LS C120d Daylight LED (1st Gen)

1 x Unit - 6000K Color Temperature; Bowens Mount; 18 dB Quiet Fan; Wired & Wireless Controller Box w/328' Range; V-Mount Battery Plate.

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Fiilex

P360EX Variable Color LED Light

3 x Units - Variable Color Temperature: 3000-5600K; DMX Capable with Optional DMX Box; CRI 92; 65° Native Beam Angle; 30° with Optional Fresnel Lens; Low Electrical Draw: 90W, Long Lamp Life; 100-240 VAC, 12-28 VDC; Battery Compatible, Flicker-Free; Includes 4-Way Barndoors, AC/DC Adapter

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Intellytech

MEGA-LiteCloth 3 x 4.5' Foldable LED Mat Kit (V-Mount)

1 x Unit - The MEGA-LiteCloth 3 x 4.5' Foldable LED Mat Kit from Intellytech is designed for image-makers who require a wall of light with color, light intensity, power, control, and setup, breakdown, and travel options. The kit includes the 3 x 4.5' LED mat, mounting bracket with frame, a diffuser, grid, a controller with a V-Mount battery mount and a sturdy, wheeled carry case. The dimmable MEGA-LiteCloth 3 x 4.5' has an expansive color range that's variable from 3000 to 10,000K to meet any ambient light challenge, match other fixtures, or for creative expression. Its high CRI/TLCI ratings of 97 and 98 are your assurance of superior accuracy in color rendering. 

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Intellytech

LiteCloth 2.0 LC-160 Foldable 2 x 2 LED Two-Mat Kit (V-Mount)

2 x Units - The LiteCloth 2.0 LC-160 Foldable 2 x 2 LED Two-Mat Kit with V-mount was put together by Intellytech for imaginative imagers makers who realize the potential in shaping their quality of light by literally shaping the light source. The kit includes two LC-160 foldable 24 x 24" LED Mats, each with a softbox, a diffuser, a mounting bracket, a double-jointed silver stud, and a 100 to 240 VAC controller with a V-mount battery plate.

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Intellytech

LiteCloth 2.0 LC-100 Foldable 1 x 2 LED Mat Kit (V-Mount)

1 x Unit - The LiteCloth 2.0 LC-100 1 x 2 Foldable LED Mat Kit with V-mount battery plate was put together by Intellytech for imaginative imagers makers who realize the potential in shaping their quality of light by literally shaping the light source. The kit includes one LC-100 12 x 24" foldable LED mat, with a softbox, a diffuser, a fabric grid, an AC adapter, a V-mount battery plate, and a mounting bracket. A hard case is included for storage and transport. The LC-100 LED LiteCloth is a lightweight fixture that folds to 12 x 12" for storage and transport. The LED mat has a wide variable color range of 3000 to 10,000K, allowing it to meet the challenge of any ambient light conditions, match other fixtures, or just to shoot creatively. Light intensity is variable too, from 0-100%. 

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Intellytech

Pocket Cannon Mini LED Daylight 2-Light Kit

1 x 2 Light Kit - Ideal for the traveling image-maker looking for a lightweight solution with modifiers and power options, the Pocket Cannon Mini LED Daylight 2-Light Kit from Intellytech would work well. The kit contains two daylight-balanced LED lights, each with 4-way barndoors, a 5/8" mount, a cold shoe mount, a removable lens, an NP-F550 battery with charger, and an AC adapter. This kit also includes accessories, which consist of a softbox, a snoot with two removable patterns, a honeycomb grid, an adapter plate to attach modifiers, diffusion, orange, yellow, and blue filters. It all fits in the provided hard case.

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Quasar Science

 Q20 Q-Lion Switch Lithium-Ion Linear LED Lamp (24")

3 x Units - The Q20 Q-Lion Switch Lithium-Ion Linear LED Lamp from Quasar Science is a portable, 24", battery-operated, bi-color tube light, useful for creating fill and accents in both still imaging and video-based applications. Compact and lightweight, the Q20 may be mounted via the 3/8"-16 socket or simply stuck in place on metal surfaces with its magnetic base. This Version 3 LED light features single-button operation and the button is recessed to prevent accidental setting changes.

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Aputure

Amaran AL-MW Mini LED Light

2 x Units - The Aputure Amaran AL-MW Mini LED Light is a compact 5600K daylight-balanced video light that packs many outstanding features in its small form. It's designed with chip-on-board (COB) LED technology and features CRI and TLCI ratings of 95+. It offers ten brightness levels and delivers a brightness of 4000 lux at 1' and 6000 lux at 1' in boost mode, which provides 60 seconds of overclocked brightness. The light runs on a built-in lithium-ion battery that lasts 80 minutes at maximum brightness and up to a full 24 hours of non-stop operation at minimum brightness. It's also IP68 dustproof and waterproof down to 33', so you can safely use it in wet weather conditions as well as take it in the water with you along with an action cam or underwater camera rig.

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Aputure

AL-M9 Amaran Pocket-Sized Daylight-Balanced LED Light

3 x Units - The AL-M9 Amaran Pocket-Sized Daylight-Balanced LED Light from Aputure is an extremely portable yet surprisingly bright battery-powered LED fixture. Easily fitting in your pocket, the fixture is daylight balanced and sports a color temperature of 5500K with a CRI and TLCI rating of over 95. It includes a removable sheet of diffusion and 9 steps of dimming.

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Aputure

Amaran AL-F7 On-Camera Variable Color LED Light (3200 to 9500K)

1 Unit - The Aputure Amaran AL-F7 On-Camera Variable Color LED Light is an on-camera LED light that utilizes 256 LEDs with a CRI of 95+ to deliver variable color illumination with high color accuracy. This fixture features variable color temperature output from 3200 to 9500K. The fixture's 45° beam angle produces a brightness of 1500 lux at 3.3' when set to 5500K.

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Aputure

Amaran AL-528C Bi-Color LED Flood Light

1 Unit - 9.37 x 7.48 x 1.26" Panel; Flood 75° Beam Angle; 3200-5500K Variable Color; Full 0-100% Dimming, CRI: 95+; 725 Lux Brightness at 3.3'; 30W Maximum Power Draw; Dual Sony F/FM/QM Series Battery Slots; Slots for Connecting Multiple Panels; Tilt Adjustable Light Stand Adapter; Diffusion Filter, Carry Case & 2 NP Batteries included.

Sound

Sound

Steadicam   |  Cameras  |  Lenses  |  Monitoring  |  Accessories  |   Support  |  Lighting  |  Sound
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Sennheiser

Sennheiser ew112-p G3 Wireless Mic & Body Pack (B)

1 x 566-608 MHz  EK 100 G3 Camera-Mountable Receiver; SK 100 G3 Bodypack Transmitter; ME 2 Clip-On Lavalier Mic; 1680 Tunable Frequencies Across 42 MHz; Auto Frequency Scan Finds Open Bands; 3 Level Squelch to Block Interference; 20 Banks with 12 Channel Presets Each; Compander for Clearer Sound; Auto-Lock Prevents Accidental Adjustment; SENNHEISER EV112P G3 m SYS (B)

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Tentacle Sync E Timecode Gen & Track E

Sync E and Track E

4 Units - The Tentacle Sync E and TRACK E is a system comprised of a wireless (bluetooth) timecode generator & a pocket wireless audio recorder and lavalier microphone that brings hands-free high-quality mono audio recording with timecode support.  The unit features a 32-bit floating point recording option that offers extended headroom and eliminates digital clipping, while users making larger recordings can opt instead for the space-saving 24-bit option. The sampling rate is 48 kHz and audio is recorded to microSD cards or microSDHC cards with a capacity of up to 32GB. 

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Sony

XLR-K3M Dual-Channel Digital XLR Audio Adapter with Shotgun Microphone

1 Unit - The Sony XLR-K3M is a dual-channel digital XLR audio adapter designed for the Sony Alpha series cameras. It features two XLR-1/4" combo mic/line inputs with 48V phantom power, and a 3.5mm stereo input with plug-in power, all with individual level controls. An ECM-XM1 shotgun is included but any other shotgun can be used.

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Sennheiser 

SKP 100 G3 Plug-on Transmitter

SKP 100 G3 Plug-on Transmitter for Dynamic Microphones - B (516-558 MHz )

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Sony

ECM-77B Omni-Directional Miniature Wired Lavalier Mic

2 x Omni-directional Mic; Standard XLR male connector; runs on 48V Phantom or AA batteries; Includes windscreen, holder clips, protective carrying case; for theater, live, & studio use

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RODE

Rode NTG3B RF-Bias Shotgun Microphone

Black NTG3B Shotgun Condenser Microphone; Includes Mic Clip; Foam Windscreen
Zip Case; Battery or Phantom Powered Condenser Shotgun Microphone

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RODE

Rode NTG2 Batt/Phantom Powered Condenser Shotgun Mic

Battery or Phantom Powered; Supercardioid Polar Pattern; Excellent Off-Axis Signal Rejection; Selectable HPF: 80 Hz

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Shure

Shure SM58-LC Vocal Microphone

High-Quality Live Vocal Microphone; Dynamic Cardioid; Internal Shockmount; Built-In Spherical Wind and Pop Filter; Frequency Response: 50 Hz to 15 kHz; Includes Storage Pouch and Mic Clip

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RODE

Rode Blimp Windshield and Rycote Shock Mount

Protection from Wind Noise; Isolates From Shock and Vibration; Fits NTG1, NTG2, NTG3, NTG4 and NTG4+; Fits Any Shotgun Mic up to 12.75"; Integrated Mogami Mic Cable; Dead Wombat Windshield Included

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