Gear I Use
4K Camera EOS C300 Mark II w/ Touch Focus Kit
Super 35mm CMOS Sensor; 4K,1920x1080 60/50i, 23.98/25p True 24p; 2 x 3G-SDI Output, 2x XLR Inputs; Removable on board monitor; 2x CFast Card Slots; Timecode I/O, Genlock In & Sync Out; Canon Log 3 Gamma; 2 XLR audio inputs with +48V phantom power. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Package comes with 10x 128 GB CFast Cards for 4K footage and 10x 64 GB SD Cards for HD proxies.
4K Mirrorless Cameras
I own 3x Sony a7S III, 1x Sony a7RIV and 1x Sony a6400 that shoot in UHD 4K 24, 30 and 60p Video with S-Cinetone, HLG, S-Log3 Gammas;, have no record-time limit and make beautiful images. My packages come with 80 and 160GB CF Express cards, in-camera batteries and rigs with Gold Mounts for all day shooting.
EF 24-105mm f/4L IS II USM
EF-Mount Lens/Full-Frame Format; 36-157.5mm equivalent on Canon C300 Mark II; Aperture Range: f/4 to f/22; Quiet Optical Image Stabilizer; Weather-Sealed Construction; Rounded 10-Blade Diaphragm
EF 50mm f/1.2L USM
EF-Mount Lens/Full-Frame Format; 75mm equivalent on Canon C300 Mark II; Aperture Range: f/1.2 to f/16; Weather-Sealed Construction; Rounded 8-Blade Diaphragm
EF 70-200mm f/2.8L IS II USM
Canon EF-Mount Lens/Full-Frame Format; 105-300mm equivalent on Canon C300 Mark II; Aperture Range: f/2.8 to f/32; Optical Image Stabilizer; Internal Focus; Weather-Sealed Construction; Detachable, Rotatable Tripod Collar; Rounded 8-Blade Diaphragm
16-35mm f/2.8L III USM
EF-Mount Lens/Full-Frame Format; 24-52.5mm equivalent on Canon C300 Mark II; Aperture Range: f/2.8 to f/22; Three Aspherical and Two UD Elements; SWC, Air Sphere, and Fluorine Coatings; Ring-Type Ultrasonic Motor AF System; Weather-Sealed Construction; Rounded 9-Blade Diaphragm
EF 100mm f/2.8L Macro IS USM
EF-Mount Lens/Full-Frame Format; 150mm equivalent on Canon C300 Mark II; Aperture Range: f/2.8 to f/32; 1:1 Magnification, 11.8" Min. Focus; Optical Image Stabilizer; Weather-Sealed Construction; Rounded 9-Blade Diaphragm
EF 20mm f/2.8 USM
EF-Mount Lens/Full-Frame Format; 30mm equivalent on Canon C300 Mark II; Aperture Range: f/2.8 to f/22; Floating Rear Focusing System; Rounded 5-Blade Diaphragm
EF-S 17-55mm f/2.8 IS USM
EF-S-Mount Lens/APS-C & Super 35 Formats; 25.5-82.5mm equivalent on Canon C300 Mark II; Aperture Range: f/2.8 to f/22; Optical Image Stabilizer; Rounded 7-Blade Diaphragm
Extender EF 2X III
EF Mount Teleconverter; 2.0x Magnification Factor; Microcomputer Controlled; Communication Between Lens & Camera; Spectra Coating Reduces Ghosting/ Flare; Protective Fluorine Coating; Dust and Water Resistant; Compatible with Select EF Mount Lenses
Metabones Canon EF/EF-S to Sony E (5th Gen)
Canon EF/EF-S Lens to Sony E-Mount Body; Works with Full-Frame and APS-C Cameras; Switch for In-Body Image Stabilization; Support for Phase- & Contrast-Detect AF; Smooth Iris with Select Adapted Lenses; Control Aperture from Camera Body; Transfers Exif Data to Camera; Weather-Resistant Rubber Mount Gasket; Compatible with Sony PXW-FS7 Mark II
FE 28mm f/2
E-Mount Lens/Full-Frame Format; Aperture Range: f/2 to f/22; One AA Element & Two Aspherical Elements; Two Extra-Low Dispersion Elements; Linear Autofocus Motor; Internal Focus; Dust and Moisture-Resistant Construction; Nine-Blade Circular Diaphragm
AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Canon EF
Aperture Range: f/2.8 to f/22; Designed for Cameras with APS-C Sensors ; Internal Focusing AF Motor; One-Touch Focus Clutch Mechanism; Two Aspheric Lens Elements; Two Super-Low Dispersion Lens Elements; Multi-Layer Coating; 77mm Filter Thread
Light Storm LS300X LED Light Kit with V-Mount Battery Plate
1 Unit - The Light Storm LS300X LED Light Kit from Aputure is the first Aputure light to go beyond traditional bi-color lighting by utilizing the expanded vari-white CCT range of 2700-6500K, providing warmer tungsten tones and cooler than daylight whites. The brilliant light can be dimmed from a potent main light to a subtle, nuanced fill light, flicker free across the dimming range.
P360EX Variable Color LED Light
3 Units - Variable Color Temperature: 3000-5600K; DMX Capable with Optional DMX Box; CRI 92; 65° Native Beam Angle; 30° with Optional Fresnel Lens; Low Electrical Draw: 90W, Long Lamp Life; 100-240 VAC, 12-28 VDC; Battery Compatible, Flicker-Free; Includes 4-Way Barndoors, AC/DC Adapter
MEGA-LiteCloth 3 x 4.5' Foldable LED Mat Kit (V-Mount)
1 Unit - The MEGA-LiteCloth 3 x 4.5' Foldable LED Mat Kit from Intellytech is designed for image-makers who require a wall of light with color, light intensity, power, control, and setup, breakdown, and travel options. The kit includes the 3 x 4.5' LED mat, mounting bracket with frame, a diffuser, grid, a controller with a V-Mount battery mount and a sturdy, wheeled carry case. The dimmable MEGA-LiteCloth 3 x 4.5' has an expansive color range that's variable from 3000 to 10,000K to meet any ambient light challenge, match other fixtures, or for creative expression. Its high CRI/TLCI ratings of 97 and 98 are your assurance of superior accuracy in color rendering.
LiteCloth 2.0 LC-160 Foldable 2 x 2 LED Two-Mat Kit (V-Mount)
2 Units - The LiteCloth 2.0 LC-160 Foldable 2 x 2 LED Two-Mat Kit with V-mount was put together by Intellytech for imaginative imagers makers who realize the potential in shaping their quality of light by literally shaping the light source. The kit includes two LC-160 foldable 24 x 24" LED Mats, each with a softbox, a diffuser, a mounting bracket, a double-jointed silver stud, and a 100 to 240 VAC controller with a V-mount battery plate.
LiteCloth 2.0 LC-100 Foldable 1 x 2 LED Mat Kit (V-Mount)
1 Unit - The LiteCloth 2.0 LC-100 1 x 2 Foldable LED Mat Kit with V-mount battery plate was put together by Intellytech for imaginative imagers makers who realize the potential in shaping their quality of light by literally shaping the light source. The kit includes one LC-100 12 x 24" foldable LED mat, with a softbox, a diffuser, a fabric grid, an AC adapter, a V-mount battery plate, and a mounting bracket. A hard case is included for storage and transport. The LC-100 LED LiteCloth is a lightweight fixture that folds to 12 x 12" for storage and transport. The LED mat has a wide variable color range of 3000 to 10,000K, allowing it to meet the challenge of any ambient light conditions, match other fixtures, or just to shoot creatively. Light intensity is variable too, from 0-100%.
Pocket Cannon Mini LED Daylight 2-Light Kit
1 x 2 Light Kit - Ideal for the traveling image-maker looking for a lightweight solution with modifiers and power options, the Pocket Cannon Mini LED Daylight 2-Light Kit from Intellytech would work well. The kit contains two daylight-balanced LED lights, each with 4-way barndoors, a 5/8" mount, a cold shoe mount, a removable lens, an NP-F550 battery with charger, and an AC adapter. This kit also includes accessories, which consist of a softbox, a snoot with two removable patterns, a honeycomb grid, an adapter plate to attach modifiers, diffusion, orange, yellow, and blue filters. It all fits in the provided hard case.
Q20 Q-Lion Switch Lithium-Ion Linear LED Lamp (24")
2 Units - The Q20 Q-Lion Switch Lithium-Ion Linear LED Lamp from Quasar Science is a portable, 24", battery-operated, bi-color tube light, useful for creating fill and accents in both still imaging and video-based applications. Compact and lightweight, the Q20 may be mounted via the 3/8"-16 socket or simply stuck in place on metal surfaces with its magnetic base. This Version 3 LED light features single-button operation and the button is recessed to prevent accidental setting changes.
Amaran AL-MW Mini LED Light
2 Units - The Aputure Amaran AL-MW Mini LED Light is a compact 5600K daylight-balanced video light that packs many outstanding features in its small form. It's designed with chip-on-board (COB) LED technology and features CRI and TLCI ratings of 95+. It offers ten brightness levels and delivers a brightness of 4000 lux at 1' and 6000 lux at 1' in boost mode, which provides 60 seconds of overclocked brightness. The light runs on a built-in lithium-ion battery that lasts 80 minutes at maximum brightness and up to a full 24 hours of non-stop operation at minimum brightness. It's also IP68 dustproof and waterproof down to 33', so you can safely use it in wet weather conditions as well as take it in the water with you along with an action cam or underwater camera rig.
AL-M9 Amaran Pocket-Sized Daylight-Balanced LED Light
3 Units - The AL-M9 Amaran Pocket-Sized Daylight-Balanced LED Light from Aputure is an extremely portable yet surprisingly bright battery-powered LED fixture. Easily fitting in your pocket, the fixture is daylight balanced and sports a color temperature of 5500K with a CRI and TLCI rating of over 95. It includes a removable sheet of diffusion and 9 steps of dimming.
Amaran AL-F7 On-Camera Variable Color LED Light (3200 to 9500K)
1 Unit - The Aputure Amaran AL-F7 On-Camera Variable Color LED Light is an on-camera LED light that utilizes 256 LEDs with a CRI of 95+ to deliver variable color illumination with high color accuracy. This fixture features variable color temperature output from 3200 to 9500K. The fixture's 45° beam angle produces a brightness of 1500 lux at 3.3' when set to 5500K.
Amaran AL-528C Bi-Color LED Flood Light
1 Unit - 9.37 x 7.48 x 1.26" Panel; Flood 75° Beam Angle; 3200-5500K Variable Color; Full 0-100% Dimming, CRI: 95+; 725 Lux Brightness at 3.3'; 30W Maximum Power Draw; Dual Sony F/FM/QM Series Battery Slots; Slots for Connecting Multiple Panels; Tilt Adjustable Light Stand Adapter; Diffusion Filter, Carry Case & 2 NP Batteries included.
Light Storm LS C120d Daylight LED (1st Gen)
1 Unit - 6000K Color Temperature; Bowens Mount; 18 dB Quiet Fan; Wired & Wireless Controller Box w/328' Range; V-Mount Battery Plate.
This light is currently for sale in my online store. Click on "SHOP" in the menu for details on this and other items I have for sale.
ECM-77B Omni-Directional Miniature Wired Lavalier Mic
2 x Omni-directional Mic; Standard XLR male connector; runs on 48V Phantom or AA batteries; Includes windscreen, holder clips, protective carrying case; for theater, live, & studio use
Sennheiser ew112-p G3 Wireless Mic & Body Pack (B)
1 x 566-608 MHz EK 100 G3 Camera-Mountable Receiver; SK 100 G3 Bodypack Transmitter; ME 2 Clip-On Lavalier Mic; 1680 Tunable Frequencies Across 42 MHz; Auto Frequency Scan Finds Open Bands; 3 Level Squelch to Block Interference; 20 Banks with 12 Channel Presets Each; Compander for Clearer Sound; Auto-Lock Prevents Accidental Adjustment; SENNHEISER EV112P G3 m SYS (B)
MA-400 Microphone Adapter for EOS C300 Mark II
For Canon Cinema EOS C300 Mark II; Holds Mic with 0.75-0.79" Diameter; Two 3-Pin XLR Input Terminals; Powered by Camcorder's Power Supply; 3.5mm Stereo Mini Jack; Shoe-Mountable; Microphone Cable Clamp Included
DR-10L Digital Audio Recorder with Lavalier Mic (Black)
3 x Mono Digital Recorder with Lavalier Mic; Records 24-Bit/48 kHz BWAV File Format; Up to 32GB on microSD or microSDHC Card; 1/8" Stereo Headphone Output; Single AAA Battery Records 5 Hours; Built-In Limiter Function; Low-Cut Filter Reduces Wind and Rumble; Dual Recording Mode; Easy-to-Read OLED Display; Case, Windscreen, Mic Clip & USB Cable
Zoom F8n Multi-Track Field Recorder
Field recorder with 8 x XLR/TRS Combo Jacks with +75 dB Gain; Up to 192 kHz/ 24-Bit PCM Recording; Record up to 10 Tracks Simultaneously; Look-Ahead Limiters Eliminate Clipping; Zoom AutoMix: Automatic Level Adjustment; 2 x SD Card Slots; Built-In Slate Microphone;
8 x AA Batteries, AC, External Power Pack; Time Code at 0.2 ppm Accuracy; Simultaneous Recording to SD Card & USB
Rode NTG3B RF-Bias Shotgun Microphone
Black NTG3B Shotgun Condenser Microphone; Includes Mic Clip; Foam Windscreen
Zip Case; Battery or Phantom Powered Condenser Shotgun Microphone
Rode NTG2 Battery or Phantom Powered Condenser Shotgun Microphone
Battery or Phantom Powered; Supercardioid Polar Pattern; Excellent Off-Axis Signal Rejection; Selectable HPF: 80 Hz
Shure SM58-LC Vocal Microphone
High-Quality Live Vocal Microphone; Dynamic Cardioid; Internal Shockmount; Built-In Spherical Wind and Pop Filter; Frequency Response: 50 Hz to 15 kHz; Includes Storage Pouch and Mic Clip
Rode Blimp Windshield and Rycote Shock Mount
Protection from Wind Noise; Isolates From Shock and Vibration; Fits NTG1, NTG2, NTG3, NTG4 and NTG4+; Fits Any Shotgun Mic up to 12.75"; Integrated Mogami Mic Cable; Dead Wombat Windshield Included
Sachtler Head & Miller Tripod
Video 15 SB Fluid Head (100mm) with Miller 2-Stage tripod
100mm Ball Head Supports up to 35 lbs; Lightweight Triple-Stage Miller Carbon Fiber Tripod; Height Range of Approximately 9" to 73"; 12 Steps of Counterbalance; Speedbalance Technology;Touch & Go Plate.
Sachtler Head & Miller Tripod
Sachtler FSB-8 Fluid Head (75mm) w/Miller 3-Stage Tripod
75mm Ball; 2 lbs to 20 lbs Capacity; The Sachtler FSB-8 is a fluid head designed to work with the handheld size from DSLRs to stripped down C300 Mark II cameras. This head offers Sachtler's Sideload mechanism which boasts an exceptionally large sliding range of 120mm (4.7"). It also features a 10-step counterbalance. Dual-Stage Miller Tripod; Rubber Feet;
Manfrotto Head & Miller Tripod
502AH Pro Video Head with Miller 2-Stage Tripod
The Manfrotto 502AH Pro Video Head with Flat Base is an affordable yet remarkably fully featured professional head that represents an advance over the popular 501HDV, with sturdier construction and featuring Manfrotto's patented bridging technology (inherited from the 509 and 504 heads). This head is designed for executing cinematic moves with compact camcorders and DSLR cameras. The 502AH comes in two versions—the "AH" flat base version with 3/8"-16 mounting hole such as this one, and the "A" ball base version which is separately available.
The weight capacity is 22 lb and the counterbalance supports 8.8 lb. The balance plate's 3.27" range allows you to correct for uneven payloads due to matte boxes or DSLR rig configurations.
Ronin RS2 3-Axis Gimbal Stabilizer
The RS 2 gimbal is a redesigned follow-up to the Ronin-S gimbal with a payload of up to 10 lb. It's about 25% lighter and more compact thanks to monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, although still with a 12-hour runtime. The motors are about 20% more powerful and support cameras such as the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF.
Shuttle Dolly w/Keeper/Grabber Wheels
The Shuttle Dolly utilizes standard rail and can be operated manually or in conjunction with Kessler's motion control solutions - CineDrive, Second Shooter and Second Shooter Plus. Shuttle Dolly accepts various mounting solutions including mitchell mount, 100mm bowl mount and cheese plate. Comes with 12' of track. Compatible with 1 1/4" - 1 1/2" rail. (Support every 6 feet); Base Kit Weight 34 lbs / 15.4 kg; Load Capacity 125 lbs / 56.7 kg
CineSlider with Crank Handle (40.5")
The Kessler CineSlider™ is an extremely heavy-duty and durable camera slider designed for the heaviest rigs while still remaining portable and lightweight. Reinforced aluminum, protected rails and precision machining combine to give filmmakers assurance that no matter what, the CineSlider will get the job done. Length: 40.5"; Travel: 30.5"; Weight: 9.1lbs; Load Capacity: 35lbs.
Benro 100mm Hi-Hat
100mm Bowl; Load Capacity: 220 lb; Min Height: 3", Max Height: 11"; 2-Section Aluminum Legs; Magnesium Bowl; Independent Leg Spread with 3 Stops; Weight: 3.6 lb; Three 3/8"-16 Accessory Threads; 3/8"-16 Low-Profile Tie-Down Adapter; Custom Carrying Case Included
Induro Series 3 Baby Grand Tripod with 75mm Platform
Load Capacity: 165 lb; Max Height: 11"; Min Height: 3.2"; Folded Length: 9.3"; Leg Sections: 2; Weight: 3.1 lb; Carbon Fiber Legs; Magnesium Castings; Removable Weight Hook
Wooden Camera Shoulder Rig v2 Mid with Short Rosette Arms & Wooden Handle and Canon Grip Relocator
ARRI Standard Dovetail; Crossbar with ARRI Rosettes; NATO Rail for Crossbar Adjustment; Rosette Handles with Black Leather Grip; Short Rosette Arms; Arca-Swiss Rail Underneath Dovetail; Shoulder Pad Attaches to Arca-Swiss Rail; 1/4"-20 and 3/8"-16 Accessory Threads
Standard Manual Wheelchair with Foot Support
Perfect for quick dolly shots, I have a KN-700T Standard Wheelchair. The wheelchair is equipped with rubber tires and foot supports. At 39 pounds, and completely foldable, it's truly a great dolly system that can have a camera mounted directly to it, or carry the operator. Payload is 250 pounds.
702 Touch 7" On-Camera Monitor
The SmallHD 702 Touch 7" On-Camera Monitor features an IPS LCD panel with a resolution of 1920 x 1200. The IPS touchscreen provides a wide off-axis viewing experience without a significant shift in color or contrast. The panel also features a maximum brightness of 1500 cd/m², which makes it more than well suited for use outdoors. The panel displays images in 8-bits per color channel, but the monitor's internal processing is 10-bit. The touchscreen capability of the monitor facilitates using the SmallHD OS3 software package that allows you to create looks and save them as pages.
Interchangeable battery plates allow you to use the battery of your choice. However, the monitor ships with a dual L-series battery plate. The 702 Touch incorporates 3G-SDI and HDMI inputs and outputs, as well as a headphone jack for monitoring audio. It also has a store of monitoring features including waveform, custom LUT support, anamorphic de-squeeze, and audio meters.
Ninja V 5" 4K HDMI Recording Monitor
3 Units - The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
Shinobi SDI 5" 3G-SDI & 4K HDMI Pro Monitor
3 Units - Double your video input options with the Shinobi SDI 5" 3G-SDI & 4K HDMI Pro Monitor from Atomos. The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input. It features a 10-bit (8+2 FRC) IPS screen with a brightness of 1000 cd/m², suiting it for use in both exterior and interior conditions.
Shogun Inferno 7" HDR Monitor/Recorder.
Shogun Inferno has extensive monitoring tools, including custom 3D LUTs, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vectorscope. Record ProRes RAW, ProRes, DNxHR or CDNG; compatible with Sony FS series, Canon C300MKII, Panasonic EVA-1/Varicam LT. Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability.
Shogun Flame 7" HDR Monitor/Recorder.
1920x1200 resolution, 325ppi pixel density, 1500 NITS;
Raw record on Canon C300MKII in 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080;
Raw to ProRes / DNxHR record: Canon C300MKII ProRes (HQ, 422, LT) ; DNxHR (HQX, HQ, SQ, LB); 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080;
LM-V1 4" LCD Monitor for Canon C200 & C300 Mk II
4" Touchscreen LCD Viewfinder; 1.23 Million Dot Resolution; Tap-Focusing with Compatible Lenses
Bolt 500 LT 3G-SDI Wireless TX and RX Set
Wireless SDI monitoring with zero latency up to 500'. Uncompressed signal, up to 1080P/60. Monitor and receiver powered via V- Mount battery. Transmitter powered via D-Tap.
Ace 300 ft SDI Wireless Video System
Wireless SDI monitoring with zero latency up to 300'. Uncompressed signal, up to 1080P/60. Monitor and receiver powered via V-Mount battery. Transmitter powered via D-Tap.
Viv Matte Box w/ Triple stage
BRB12511028-Stage Core Matte Box; 2 Rotating 4x5.65" Filter Stages; 1 Fixed 4x5.65" Filter Stage; Includes BRB12511028 Filter Trays; Carbon Fiber Top Flag; 150mm Clamp-On Diameter; Carbon-Fiber Construction; Lightweight and Robust Physical Design